Tampilkan postingan dengan label Andrew Garfield. Tampilkan semua postingan
Tampilkan postingan dengan label Andrew Garfield. Tampilkan semua postingan

Amazing Spider-Man stuns India

Posted by Unknown Kamis, 05 Juli 2012 0 komentar

The Amazing Spider-Man has been declared superhit withing three days of its release both in India and Hollywood.

The film's opening weekend collections in India are reported to be in the range of Rs 27 crore net.

Not only in India, but this little master of web affairs, has been weaving his web real well in Hollywood too. The Andrew Garfield-Emma Stone reboot, directed by Marc Webb, reportedly collected a whopping $35 million during its first day in U.S. theaters.

Winning the distinction of being the highest money-spinner ever released on a Tuesday, The Amazing Spider-Man beat 2007’s Transformers, which grossed $27.8 million on its first day in Hollywood.

“Spider-Man does whatever a spider can. Spins a web, speed surprise, catches audiences, just like flies,” said Bollywood PR expert Dale Bhagwagar.

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'The Amazing Spider-Man' weaves its magic at box office

Posted by Unknown Selasa, 03 Juli 2012 0 komentar

The film gets a tremendous opening, making it Hollywood's highest opening grosser in the country

While The Amazing Spiderman had the biggest opening for a Hollywood film ever in India, Sonu Sood-Nasserudin Shah starrer Maximum has proved to be a disappointment.

The Andrew Garfield-starrer franchisee film collected around Rs 30 crore on the weekend while Maximum collected close to Rs 2.5 crore. Trade analyst Atul Mohan says, “Unlike its name Maximum, the promotion of the film was minimum which was its undoing.

The film disappointed big time. It was made on a stipulated budget and had very good performance from its lead actors Sonu Sood and Neha Dhupia but the film will loose money.” He adds, “The Amazing Spiderman has managed to bring in a lot of footfall but we expected the film to do better. Nonetheless, it is a big blockbuster.”

Trade expert Amod Mehra tells us, “Maximum has proved to be a disaster at the box office but the surprise package has been Spiderman. It proves that English films are here to stay.”

Girish Wankhede, spokesperson of a multiplex chain said, “Spiderman opened moderately on Friday but jumped to double on Saturday. Even on Sunday the collections were extremely good for the film. The occupancy for us in all-India was 80 per cent on Sunday.

Maximum did not do well. On the other hand, Teri Meri Kahaani has failed at the box office. Gangs and Ferrari still have their audience and have maintained themselves in limited shows.

On the other hand, Rowdy is also average.” Mehra adds, “Teri Meri Kahaani is a disaster at the box office. Gangs has found a few takers. Ferrari would have been a huge hit had the producer not sold the film at such a huge price.”

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Shirish Kunder praises Andrew Garfield

Posted by Unknown Senin, 02 Juli 2012 0 komentar

Filmmaker Shirish Kunder praises Andrew Garfield, who has replaced Tobey Maguire as Spiderman, saying he fits the bill in "The Amazing Spider-Man".

"Andrew Garfield is definitely better than Tobey Maguire, but I feel 'Spider-Man 2' is the best Spidey film so far," Kunder tweeted.

American superhero "The Amazing..." is the fourth film in the popular Spider-Man series. Directed by Marc Webb, it is based on the Marvel Comics "Spider-Man".

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Review: The Amazing Spider-Man

Posted by Unknown Sabtu, 30 Juni 2012 0 komentar
The Amazing Spider-Man
Director: Marc Webb


Cast: Emma Stone, Andrew Garfield, Stan Lee, Rhys Ifans, Martin Sheen, Chris Zylka, C. Thomas Howell, Sally Field, Embeth Davidtz, Denis Leary, Irrfan, Kelsey Chow, Annie Parisse, Campbell Scott, Michael Massee

Rating: ****

First, the bad news: The Amazing Spider-Man contains a majority of the elements found in the Sam Raimi film – Peter Parker is a loser school kid in NY, Peter has the hots for his classmate, Peter gets bitten, Peter becomes Spidey, Peter overcomes the school bully, Peter loses his uncle, and Peter fights crime. There is precious little that the reboot brings to the table, some of which includes a glimpse of his parents. The good news is that The Amazing Spider-Man works despite the constant sense of deja vu.

That slightly-okay story finds a young Peter Parker (Andrew Garfield) being hurriedly placed by his parents in the care of Uncle Ben (Martin Sheen) and Aunt May (Sally Field). Cut to a grown up Peter working with his late father’s old colleague Doctor Connors (Rhys Ifans) and finding love and a pesky reptilian ruffian with a master plan. The bulk of the film then becomes a series of action scenes and romantic cutaways in which Peter and Gwen Stacy (Emma Stone) effortlessly make us forget the lame melodrama between Maguire and Kirsten Dunst.


There is no upside down kiss under the rain, but there is an unexpected moment under a starlit balcony and a finale that puts a big twist on the bittersweet climax of the 2002 movie. Despite some clunky dialogue, the melodrama and romance here actually works — thanks mainly to director Mark Webb who brings the matured, assured handling of emotions from his (500) Days of Summer and makes his actors believable. Unlike the case in Spider-Man 3, Webb keeps The Amazing Spider-Man from becoming a string of hastily glued together boring ‘emo’ bits.


Best, however, is the charming Andrew Garfield in the title role —even though he looks hilariously old for a school kid. Garfield is the perfect leading man and has a sunny, winning charisma that audiences (mostly girls) can cheer for.

Peter here is faced with more heartbreak and trauma than in all three previous films put together, yet Spidey is more of the sarcastic wisecracking punk here — it makes for a nice change. Emma Stone is jaw-droppingly gorgeous to look at, and her Gwen is rather courageous instead of ditsy. Sheen and Field here are the Hollywood versions of Alok Nath and Farida Jalal, and they even have those overtly dramatic facial expressions and cringe-inducing lines. Irrfan plays the Token Black Guy of the movie.


Mark Webb seems to understand why we have put on the 3D glasses, and he offers enough immersive scenery to keep us wowed. When Spider-Man swings, he takes you along with him. The downside is that there simply aren’t enough of those scenes. There are some brilliant sequences, including one in a sewer that lasts quite a few minutes. One little scene at Peter’s school where a certain someone makes a cameo is probably the film’s best moment. There is also a 3D jump scare that might scare the hell out of you.


The Lizard is menacing, and very intricately designed but frustratingly there aren’t enough still moments to make us appreciate the work that was put in to create the motion capture GI beastie. When the action isn’t happening, Webb brings in his years of music video experience and throws in some rock music montage, but it sadly makes us yearn for Danny Elfman’s score from the Raimi movies.

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